2016-12-02 featured press

Opera Today – Philippe Jaroussky at the Wigmore Hall: Baroque cantatas by Telemann and J.S.Bach

2016-12-02, Opera Today, by Claire Seymour

There was a strong sense of structural coherence though. A string diminuendo at the close of the accompanied recitative led expressively into Christ’s first aria, ‘Ich bin betrübt bis in den Tod’ (I am saddened unto death). Jaroussky here demonstrated the qualities that we would enjoy throughout the evening. His countertenor is flexible and relaxed; he can move through a wide tessitura without the slightest hint of strain, and leaps agilely between registers – the top is pure and clean, the chest register firm and full. He has an instinctive feeling for the musical phrasing, whether he is racing effortlessly through coloratura passagework or gliding through a lament. Jaroussky’s immaculate technique truly revealed the inventiveness of Telemann’s melodic gift. […]

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2016-10-14-featured-press

Presto Classical – Bach and Telemann cantatas from Philippe Jaroussky

2016-10-14, Presto Classical, n. N.

With last week’s Liszt Études from Daniil Trifonov still ringing in my ears, today’s disc is all about transcendence of a very different variety: Bach and Telemann sacred cantatas from Philippe Jaroussky, in a recording of such radiance and beauty that it almost seems sacrilege to pick it apart even to anatomise its virtues.

 

[…]

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2016-10-13_02-featured-press

The Guardian – Philippe Jaroussky: Sacred Cantatas CD review – French countertenor at his vibrant best

2016-10-13, The Guardian, by Erica Jeal

This is the first all-German disc from the countertenor Philippe Jaroussky, and about time too: two of JS Bach’s most glorious cantatas find him at his vibrant best. The five movements of Bach’s Vernügte Ruh trace a compelling journey from contentment through agitation to resolution, all the while showcasing Jaroussky’s bright, fluid tone; the few notes where the music dips lower than his comfort zone are all on words for which a rasp of aggression is entirely apt. In the title aria of Ich habe genug he is matched nuance for nuance by Ann-Kathrin Brüggemann’s mellow oboe d’amore, and there follows a performance of Schlummert ein that rivals that of David Daniels for gorgeousness. He’s equally persuasive in two cantatas by Telemann. Though less consistently compelling musically than the Bach, these are still rewarding, and they come alive in the Freiburg Barockorchester’s dramatically aware playing.

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2016-08-06 featured press

Forum Opéra – Forum Opéra – Philippe Jaroussky, beau oui comme Bowie

2016-08-06, Bachtrack, by Bernard Schreuders

L’arrangement du titre « Always Crashing in the Same Car » tiré de l’album Low (1977) que signait David Lang, avec accompagnement de harpe et de flûte alto, n’a pas convaincu le chroniqueur de la BBC, pour qui il ne fonctionne tout simplement pas, mais celui du Guardian salue l’audace de la démarche, qui réinvente entièrement la chanson, quand le journaliste du Telegraph confie avoir été surpris par la beauté du timbre et les sonorités chaudes de Philippe Jaroussky, non sans ajouter que David Bowie aurait certainement aimé cette réinterprétation pastorale de sa chanson. […]

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2016-08-01 featured press

Gramophone – The 2016 Gramophone Classical Music Awards Shortlist

The 2016 Gramophone Classical Music Awards Shortlist
Gramophone Mon 1st August 2016
All is revealed: the top six recordings in each of the 12 categories as voted for by our esteemed panel of critics

The Gramophone Awards are the most prestigious in the world of classical music. Today, we are pleased to reveal the 72 shortlisted recordings that will be competing for honours in 2016.

This year, for the first time, there are two ways for you to enjoy the Gramophone Classical Music Awards Shortlist. Firstly, you can read and download our free digital magazine, which includes every review of every album, via the Gramophone app (for iPad and iPhone users) or the Exact Editions website. Alternatively, follow the links in the list below to read the original Gramophone reviews via the Reviews Database (for a limited time, you can read up to 10 reviews for free – subscribe for full access to the Reviews Database).

The top three recordings in each category will be revealed in the September issue, which goes on sale on August 12. Happy listening!

The Shortlist

Baroque Instrumental

‘Bach in Montecassino’ Luca Guglielmi (Vivat)

JS Bach Organ Works Masaaki Suzuki (BIS)

WF Bach Harpsichord Concertos Il Convito / Maude Gratton (Mirare)

Biber Rosary Sonatas Rachel Podger et al (Channel Classics)

Lawes The Royal Consort Phantasm (Linn)

Vivaldi Four Seasons etc Adrian Chandler / La Serenissima (Avie)

Baroque Vocal

JS Bach Magnificat in E flat etc Dunedin Consort / John Butt (Linn)

JS Bach Mass in B Minor Concerto Copenhagen (CPO)

JS Bach Mass in B minor Monteverdi Choir; EBS / Sir John Eliot Gardiner (SDG)

Handel Partenope Il Pomo d’oro / Riccardo Minasi (Erato)

Monteverdi Madrigali, Vol 1 – Cremona Les Arts Florissants / Paul Agnew (Les Arts Florissants)

‘Concert Royal de La Nuit’ Ensemble Correspondences / Sébastian Daucé (Harmonia Mundi)

Chamber

Beethoven Cello Sonatas Xavier Phillips; François-Frédéric Guy (Evidence Classics)

Berg Lyric Suite. Wellesz Sonnets Renée Fleming; Emerson Quartet (Decca)

Brahms Quartets Nos 1 & 3 Artemis Quartet (Erato)

Bruckner String Quintet. String Quartet Fitzwilliam Quartet; James Boyd (Linn)

Schubert String Quintet etc Quatuor Ebène; Gautier Capuçon (Erato)

Tippett String Quartets Heath Quartet (Wigmore Hall Live)

Choral

Beethoven Missa solemnis Soloists, BRSO & Chor / Bernard Haitink (BR-Klassik)

Bliss Morning Heroes etc BBC SO & Chorus / Sir Andrew Davis (Chandos)

Howells Collegium Regale etc Trinity College Choir, Cambridge / Stephen Layton (Hyperion)

Schoenberg Gurrelieder Gürzenich-Orchester Köln / Markus Stenz (Hyperion)

‘Amuse-Bouche’ I FagiolinI / Robert Hollingworth (Decca)

‘Poetry in Music’ The Sixteen / Harry Christophers (Coro)

Concerto

Bartók Violin Concerto No 1 Brahms Violin Concerto Janine Jansen; LSO, Santa Cecilia Orch / Sir Antonio Pappano (Decca)

Beethoven Piano Concerto No 3 Maria João Pires; Orchestra of the 18th Century / Frans Brüggen (NIFC)

Britten. Korngold Violin Concertos Vilde Frang; Frankfurt RSO / James Gaffigan (Warner Classics)

Dvořák Violin Concerto. Romance Suk Fantasy Christian Tetzlaff; Helsinki PO / John Storgårds (Ondine)

Martinů Rhapsody Concerto etc Maxim Rysanov; BBC Symphony Orchestra / Jiři Belohlávek (BIS)

Rachmaninov Variations Daniil Trifonov, Philadelphia / Yannick Nezet-Séguin (DG)

Contemporary

Abrahamsen let me tell you Barbara Hannigan; BRSO / Andris Nelsons (Winter & Winter)

Anderson In Liebliche Bläue, Alleluia etc LPO / Vladimir Jurowski (LPO)

Birtwistle Angel Fighter etc Soloists, London Sinfonietta / David Atherton (NMC)

Maxwell Davies. Panufnik Symphonies Nos 10 LSO /Sir Antonio Pappano (LSO Live)

Murail Le Partage des eaux, Contes cruels etc BBC SO, Netherlands Radio PO / Pierre-André Valade (Aeon)

Silvestrov To thee we sing Latvian Radio Choir / Sigvards Kļava (Ondine)

Early Music

Compère Magnificat, motets & chansons Orlando Consort (Hyperion)

Isaac Missa Misericordias Domini etc Cantica Symphonia / Giuseppe Maletto (Glossa)

Jacquet of Mantua Missa Surge Petre & Motets Brabant Ensemble / Stephen Rice (Hyperion)

Lantins Secular Works Le Miroir de Musique (Ricercar)

Taverner Western Wind Taverner Choir & Players / Andrew Parrott (Avie)

‘Scattered Ashes’ Magnificat / Philip Cave (Linn)

Instrumental

Bach. Beethoven. Rzewski Variations Igor Levit (Sony Classical)

Brahms Solo Piano, Vol 3 Jonathan Plowright (BIS)

Grieg Lyric Pieces Stephen Hough (Hyperion)

Ravel Complete Works for Solo Piano Bertrand Chamayou (Erato)

Scarlatti Sonatas Yevgeny Sudbin (BIS)

Ysaÿe Sonatas Alina Ibragimova (Hyperion)

Opera

Donizetti Les martyrs Sir Mark Elder (Opera Rara)

Leoncavallo Pagliacci Mascagni Cavalleria rusticana Christian Thielemann (Sony Classical)

Tchaikovsky The Queen of Spades Mariss Jansons (BR Klassik)

Verdi Aida Sir Antonio Pappano (Warner Classics)

Wagner Das Rheingold Sir Simon Rattle (BR-Klassik)

Zandonai Francesca da Rimini Fabrice Bollon (CPO)

Orchestral

Casella Orch Works, Vol 4 BBC PO / Gianandrea Noseda (Chandos)

Dutilleux Métaboles. Symphony No 2 etc Seattle SO / Ludovic Morlot (Seattle Symphony Media)

Elgar Symphony No 1 Staatskapelle Berlin / Daniel Barenboim (Decca)

Schubert Symphony No 9 Orchestra Mozart / Claudio Abbado (DG)

Shostakovich Symphony No 10 Boston SO / Andris Nelsons (DG)

Vaughan Williams Sea Symphony Hallé / Sir Mark Elder (Hallé)

Recital

‘Arie Napoletane’ Max Emanuel Cencic; Il Pomo D’Oro / Maxim Emelyanyachev (Decca)

‘Scene!’ Christiane Karg, Arcangelo / Jonathan Cohen (Berlin Classics)

Cavalli Heroines of the Venetian Baroque Mariana Flores, Cappella Mediterranea / Leonardo Garcia Alarcon (Ricercar)

Mozart & the Weber Sisters Sabine Devieilhe; Pygmalion / Raphäel Pichon (Erato)

‘Paris, mon amour!’ Sonya Yoncheva; Orquestra de la communicat Valenciana / Fréderic Chaslin (Sony Classical)

Puccini Album Jonas Kaufmann; Santa Cecilia Orch / Sir Antonio Pappano (Sony Classical)

Solo Vocal

‘Joyce & Tony’ Joyce DiDonato; Sir Antonio Pappano (Erato)

Beethoven Lieder und Bagatellen Werner Güra; Christoph Berner (Harmonia Mundi)

‘L’Heure Exquise’ Alice Coote; Graham Johnson (Hyperion)

Liszt. Shostakovich Michelangelo Songs Dmitri Hvorostovsky; Ivari Ilja (Ondine)

‘Musica e poesia’ Rosa Feola; Iain Burnside (Opus Arte)

‘Néère’ Véronique Gens; Susan Manoff (Alpha)

2016-07-30_03 featured press

Philippe Jaroussky on Facebook – Good start for holidays !

2016-07-30, Philippe Jaroussky on Facebook

Good start for holidays ! Some oysters in Notting Hill !
Bon été à tous! A bientôt !

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2016-07-30_02 featured press

BBC – Rebel Rebel: Celebrating Bowie at the Proms

2016-07-30, BBC

Bowie: Always Crashing in the Same Car (arr. David Lang) with Philippe Jarrousky
With the s t a r g a z e collective conducted by André de Ridder.

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2016-07-30 featured press

The Guardian – David Bowie Prom review: progressiveness for progressiveness’s sake

2016-07-30, The Guardian, by Jude Rogers

Maybe this is the Bowie many fans crave. Two other interpreters feel much more in tune with the spirit the maker of Blackstar left behind as the concert passes midnight.

Counter-tenor Phillippe Jaroussky’s take on Always Crashing In The Same Car is sparse and challenging, reinventing the song entirely. Then John Cale arrives, wearing an overcoat, scarf and a skirt. In the hands of a Velvet Underground member who influenced Bowie in the first place, Valentine’s Day becomes a dark, electronic elegy, Sorrow a buzzing, gothic anthem, and Space Oddity an excursion into trip-hop, lifted high by the House Gospel Choir.

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2016-07-29_02 featured press

Philippe Jaroussky on Facebook – Petite folie avant les vacances

2016-07-29, Philippe Jaroussky on Facebook

Petite folie avant les vacances…Chanter du David Bowie au Royal Albert Hall!

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2016-07-29 featured press

BBC News – Stars prepare for ‘celebratory’ David Bowie Prom

2016-07-29, BBC News, by Mark Savage

The rehearsals at Maida Vale’s Studio 3 (where Bowie once played an exclusive concert for Radio 2) run late into the night.

Artists including Neil Hannon, Conor O’Brien and French counter-tenor Philippe Jaroussky drop in to run through their performances, ahead of Friday’s dress rehearsal at the Royal Albert Hall. […]

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