2019-05-06, Limelight Magazine, by Tony Way
Jaroussky and L’Arpeggiata reach for the musical heavens. […]
Source/Read more: [x]
Gstaad Digital Festival – Philippe Jaroussky spricht über den Probeprozess
by conductorby countryby ensembleby languageby source typeby typeby workconcert announcementenglishensemble artasersemusicombra mai fu cavalliphilippe jarousskypromoswitzerlandvideowebsite
2019-04-26, Gstaad Digital Festival, by N. N.
«Es gibt nicht DIE perfekte Art, ein Stück zu spielen.»
Countertenor Philippe Jaroussky spricht übers Proben […]
Source/Read more/Watch Video: [x]
2019-04-09, Duke University Libraries, by Sarah Griffin
Check out our very own “staff picks”:
Philippe Jaroussky and Artaserse, The Handel Album
French countertenor Philippe Jaroussky is among the most famous countertenors in the world right now, and it’s a voice range that has attracted growing interest in recent years. The high range of the countertenor voice and the manner in which its unusual qualities are produced results in a sound that has often been described as unearthly – it’s also a powerful and flexible voice type, able to handle music of stunning virtuosity and highly expressive pathos. […]
-Laura Williams, Head Librarian, Music Library
Source/Read more: [x]
Warner Classics – Philippe Jaroussky sings Idraspe’s Lamento from Cavalli: Erismena (with the Ensemble Artaserse)
by conductorby countryby ensembleby languageby source typeby typeby workenglishensemble artasersefrancemusicombra mai fu cavalliphilippe jarousskypromovideoyoutube
2019-04-07, Warner Classics on Youtube, by N. N.
Francesco Cavalli, one of the most influential composers in operatic history, wrote operas notable for their variety of tone, combining noble, mythical, or tragic drama with teasing or bawdy comedy. […]
Source/Watch Video: [x]
wfmt – Ombra mai fu: Cavalli Opera Arias – Philippe Jaroussky
album reviewby conductorby countryby ensembleby languageby source typeby typeby workemöke baráthenglishensemble artasersemarie-nicole lemieuxombra mai fu cavalliphilippe jarousskyradiousawebsitewith
2019-03-30, wfmt, by Lisa Flynn
Ombra mai fu: Cavalli Opera Arias – Philippe Jaroussky
March 30, 2019, 9:00 am
Francesco Cavalli (1602–76) is an important figure in the history of opera and his works, which first experienced a revival in the 1960s, have been growing in currency in recent years. The most prominent successor to Monteverdi, Cavalli was active in Venice at a time when opera was moving out of aristocratic palaces and into public theaters. […]
Source/Read more: [x]
Operawire – Jonas Kaufmann, Elīna Garanča & Philippe Jaroussky Headline Théâtre Champs-Élysée’s 2019-20 Season
by countryby languageby source typeby typeby workconcert announcementenglishfrancejérôme ducrosmagazineschubert liederwebsitewith
2020-03-23, Operawire, by Francisco Salazar
Performance Date: Jan. 21, 2020
Philippe Jaroussky performs a recital of Schubert lieder with pianist Jérôme Ducros.
Performance Date: Jan. 24, 2020 […]
Source/Read more: [x]
iClassical – Sparkling performances of Cavalli Opera Arias from Jaroussky
album reviewby conductorby countryby ensembleby languageby source typeby typeby workenglishensemble artasersemagazineombra mai fu cavalliphilippe jarousskyukwebsite
2019-03-08, iclassical.co.uk, by N. N.
[…]This is a wonderful programme of fine singing and music making that will give lasting listening pleasure to lovers of baroque opera and the counter-tenor voice. For fans of Philippe Jaroussky this will be an essential addition to the growing collection of fine discs from this award-winning baroque singer. Vinyl fans should note that Warner have also made this release available on an LP.
iClassical rating: 4 1/2 out of 5 stars
Source/Read more: [x]
iclassical – Sparkling performances of Cavalli Opera Arias from Jaroussky
blogby countryby ensembleby languageby source typeby workemöke baráthenglishensemble artasersemarie-nicole lemieuxombra mai fu cavalliukwith
2019-03-2019, iclassic, by John T
This is a hugely enjoyable collection of opera arias by the seventeenth-century Italian composer Francesco Cavalli sweetly sung by the forty-year-old French countertenor Philippe Jaroussky.
This disc provides just over an hour’s worth of musical pleasure as Jaroussky shows us that he has lost none of his vocal suppleness nor his beautiful silvery tone. […]
Source/Read more: [x]
Bachtrack – Echoes in the comfort zone: Saariaho’s Only the Sound Remains at the Teatro Real
by countryby languageby source typeby typeby workconcert reviewenglishOnly The Sound Remainsusawebsite
2018-10-29, Bachtrack, by Fernando Remiro
When L’Amour de loin premièred at the Salzburg Festival in 2000, Kaija Saariaho opened a new century of opera with her brave synthesis of Wagner’s and Debussy’s confronted myths of separation, impossible love and nocturnal yearning. Almost two decades later, her fourth opera comes as a pleasant confirmation of a brilliant compositional style but fails to take a step further along that aesthetic path.
Source/Read more: [x]
