2015-01-27-featured-press

Crescendo – “Ich wünsche mir, dass niemand klatscht”

2015-01-27, Crescendo

Philippe Jaroussky, der Countertenor mit der Engelsstimme, erzählt uns, warum er dieses Kompliment gar nicht so gerne hört, was die Gedichte von Paul Verlaine mit einem guten Bordeaux zu tun haben und weshalb er kein Kontrollfreak mehr ist”

Source/Read more: Crescendo


The following is not a professional translation; no profit is being made, no infringement of copyright is intended.

Philippe Jaroussky: “I wished no one would applaud”

Philippe Jaroussky, the countertenor with the voice of an angel speaks out about why he does not like to hear this compliment at all, what Paul Verlaine’s poems have in common with a good Bordeaux, and why he stopped being a control freak.

Paris, Théâtre des Champs-Elysées. It’s a cool but sunny day in December, and Philippe Jaroussky is guiding us through the quaint theater. He feels at home here, the countertenor tells us, because he has sung here so often. Later, he has to go and visit the sound engineer, to make some final corrections to his new album. He seems relaxed and cheerful, and we make ourselves comfortable in the ballet studio, where, more than 100 years ago, the dancers rehearsed for the world premiere of Le Sacre du Printemps.


crescendo: Philippe, in our last interview, 2011, you told us you wanted to learn to say “no” from time to time. So, did it work out?

Philippe Jaroussky: (laughs) No. My schedule from September to July is the busiest in my career so far. Many incredible projects, recordings, a new role on stage – I’ll sing Alcina, which has always been a dream of mine! It’s impossible to say “no” to that. I am 36 now, and I’m feeling even more comfortable with my voice –  I have to enjoy that before it’s too late. There is a lot to be done before I turn 45!

Continue Reading

2015-01-29-featured-press

La Depeche – Philippe Jaroussky roi d’opéra à la Halle aux Grains

2015-01-27, La Depeche

Lorsque je grave un disque, j’ai envie de le faire connaître. Aujourd’hui, dans un contexte morose, si l’on veut que la musique classique survive, il faut communiquer, utiliser tous les moyens modernes. Il existe un vrai engouement du public pour les œuvres qui sortent un peu de l’ordinaire, surtout dans le répertoire baroque. Concernant «Niobe», c’est rare dans une vie d’artiste d’enregistrer en première mondiale un opéra d’une si grande beauté.

Source/Read more: LaDepeche.fr

 

2015-01-24-featured-press1

Le Figaro – Un dernier verre avec Philippe Jaroussky

2015-01-22, Le Figaro

…”La phrase que vous aimez dire lumière éteinte?
‘C’était une journée intense aujourd’hui, n’est-ce pas?'”

Source/Read more: Le Figaro


 

The following is not a professional translation; no profit is being made, no infringement of copyright is intended.

The night is his friend. Whether he is in Madrid or in Paris, the 36 year old countertenor enjoys those hypnotic moments of the small hours. We will see him on the 22nd at the Opéra Royal de Versailles and on the 24th at TCE, at the resurection of the very baroque Steffani’s Niobe, recently released on cd by Warner.

What should I order for you?
A Hendrick’s Tonic. Gin with a cucumber slice. If there’s a lemon slice, it is not a real one. This is what I like to have after a concert, not before!

Which song to go along with it?
“April in Paris” by Ella Fitzgerald. Continue Reading

2015-01-19_03-featured-press

El Mundo – ¿Qué es un contratenor?

2015-01-17, El Mundo

“Philippe Jaroussky, gran estrella de la ópera y protagonista de ‘Niobe’ en Madrid, explica la fama y el misterio que rodea a los nuevos “monstruos” del escalafón de los cantante.”

Source/Watch video on: El Mundo

2015-01-15_02-featured-press

El Confidencial – “Quiero poesía, espiritualidad y menos virtuosismo”

2015-01-15, El Confidencial

El contratenor francés Philippe Jaroussky, considerado como el mejor del mundo volverá a la ópera, con dos “haendel”; es “muy probable” que en 2018 cante de nuevo una obra lírica en el Real y ha decidido dedicar su próximo disco a Verlaine. “Quiero poesía, espiritualidad y menos virtuosismo”, afirma.

Source/Read more: El Confidencial

2015-01-10-featured-press-1024x576

BBC – Music Matters – Philippe Jaroussky

2015-01-10, BBC Music Matters

“Philippe Jaroussky is one of the most admired countertenors of his generation. He has explored the vast Baroque repertoire and beyond to fin-de-siècle French song as well as premiering contemporary vocal music composed for him. Jaroussky tells Tom Service how his voice has changed and developed thus influencing the repertoire he is singing.”

via BBC Radio 3

2015-01-07-featured-press

WAZ – Jaroussky mit Neuentdeckung „Niobe“ bald in Dortmund

2015-01-07, WAZ

Ein Widerspruch der schönen Sorte: ganz oben zu sein, aber nicht von oben herab. Der französische Countertenor Philippe Jaroussky (36) regiert das Reich der hohen Herren-Töne seit Jahren – und zeigt sich im Gespräch als absolut allürenfreier Plauderer, wie Lars von der Gönna im wilden Interview-Mix aus Deutsch, Englisch und Französisch erfuhr”…

Source/Read more: Waz.de


The following is not a professional translation; no profit is being made, no infringement of copyright is intended.

High and higher – counter tenor PJ is at the top of his vocal fach. Soon he’ll be in Dortmund, singing in “Niobe”, a rediscovered baroque opera. An interview with a star without airs and graces.

A contradiction of the beautiful kind. Being on top, but not looking down on people. French countertenor Philippe Jaroussky (36) has been reigning the empire of the high male sounds for years and emerges as being an unpretentious chatter, L. v. G learned during the wild interview, using French, English and German:

Did you have the opportunity to relax a bit around Christmas? In 2014, your schedule was bordering on top-class sport. Actually, do you never say “stop!” Monsieur?
Oh dear, that’s a weak spot. I really do find it hard to say “No”. And if a very good orchestra is calling, if there are amazing discoveries waiting, I catch myself having said “yes” once again. But I’m planning to take a little more time off in the future.

Continue Reading

2015-01-02-featured-press

Rondo – Philippe Jaroussky: Im Garten der Lüste

2015-01-02, Rondo

Wenn Philippe Jaroussky von seinem neuesten Projekt zu sprechen beginnt, merkt man sofort, dass ‘Green’ für den französischen Countertenor mehr ist als einfach nur ein neues Album, es ist eine echte Herzensangelegenheit.

via Rondo

2014-12-22_2 featured press

France Inter – Le contre-ténor Philippe Jaroussky, invité de l’Humeur Vagabonde

2014-12-22, France Inter, L’humeur vagabonde

…”Philippe Jaroussky, qui a enregistré ses premiers Vivaldi dès 2001 avec Jean-Christophe Spinosi, avait déjà gravé en 2007, avec son amie Marie-Nicole Lemieux et l’ensemble Matheus, le Stabat Mater et le Nisi Dominus.

Mais de l’eau a coulé sous les ponts depuis.

Son approche de la musique a évoluée, ses incursions chez des compositeurs baroques oubliés ont ouvert des répertoires nouveaux aux contre-ténors, et dorénavant son immense célébrité lui donne une liberté rare”…

Source/Read more: France Inter

2014-12-14-featured-press

Europe 1 – Jaroussky, le Barrockeur qui chantait le tabasse-ta-mère…

201-12-14, Europe 1, C’est arrivé demain David Abiker

4/ ” Jarrousky, le Barrockeur qui chantait le tabasse-ta-mère… “

Philippe Jaroussky

Contre-ténor

Album « Vivaldi Pietà », chez Erato (27 octobre)

Concert le 19 décembre au Théâtre des Champs-Elysées

Source/Listen at: europe 1