2018-10-22, movistar, by n. N.
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Press Archive
2018-10-22, movistar, by n. N.
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2018-10-20, El Diario Vasco, by EFE
“Durante muchos años la gente me dice que tengo una voz de ángel y por fin tengo un protagonista que es un ángel.” […]
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“All my career, I have been told I have the voice of an angel, and finally, I play the role of one.”
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… and La Vanguardia
2018-05-23, Dreahpunkt Kultur, by (PSF/dpk-krie)
„Es ist kein Zufall, dass ich diese Idee gerade jetzt realisieren kann, wo die Diskussion über die Unversehrtheit von Künstlern allgegenwärtig ist“, so Cecilia Bartoli in Hinblick auf die über Jahrhunderte geübte Praxis, Knaben zugunsten einer besonderen androgynen Stimmqualität ihrer Männlichkeit zu berauben. […]
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2018-01, Fondation Orange, by n. N.
A travers la création de son Académie Musicale en 2017, Philippe Jaroussky souhaite sensibiliser, former et accompagner sur le long terme, une cinquantaine de jeunes chanteurs et instrumentistes qui n’ont pas nécessairement les moyens techniques et financiers de pratiquer la musique classique.
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2018-02-01, Académie Musicale Philippe Jaroussky, by n. N.
Toute l’équipe de l’Académie vous souhaite ses meilleurs vœux et se réjouit d’entamer avec vous une année riche en émotions et en évènements ! […]
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2018-01-28, Time Magazine, n. N.
Best Classical Solo Vocal Album:
Bach & Telemann: Sacred Cantatas — Philippe Jaroussky; Petra Müllejans, conductor (Ann-Kathrin Brüggemann & Juan de la Rubia; Freiburger Barockorchester)
Crazy Girl Crazy – Music By Gershwin, Berg & Berio — Barbara Hannigan (Orchestra Ludwig)
Gods & Monsters — Nicholas Phan; Myra Huang, accompanist
In War & Peace – Harmony Through Music — Joyce DiDonato; Maxim Emelyanychev, conductor (Il Pomo D’Oro)
Sviridov: Russia Cast Adrift — Dmitri Hvorostovsky; Constantine Orbelian, conductor (St. Petersburg State Symphony Orchestra & Style Of Five Ensemble)
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2018-01, Opéra de Paris, by Simon Hatab
Was Philippe Jaroussky present at the beginning of the creative process?
Yes. I’ve known and admired his voice for many years. His role was decisive in the composition process: I’d initially thought of a baritone and a countertenor for the first play and a baritone and a soprano for the second. However, when I spoke to him about the idea when we saw each other in New York during one of his concerts he suggested taking on the two roles – the role of the spirit and the role of the angel. That idea helped to unite the two plays in an interesting way. […]
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2018-01-22, IR Insider, by Alexa Mamoulides
The Académie Musicale Philippe Jaroussky opened a few months ago in the outskirts of Paris. Inspired by larger organizations worldwide such as the Démos project in France and El Sistema in Venezuela, Jaroussky hopes to change the demographic of classical music. […]
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2018-01-19, Papageno, n. N.
Jaroussky, aki a venezuelai El Sistema program sikerességéből inspirálódott, elmondta, hogy a cél nem csak a hátrányos helyzetűek segítése, de a jövő zenehallgató közönségének kinevelése is. […]
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2018-01-19, Fidelio, by csm
Az új franciaországi intézmény indulásakor 23 olyan gyereknek biztosít heti rendszerességű zeneórákat, aki szegény körülmények között élnek, bevándorlók, vagy egyéb nehézséggel küzdenek. […]
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