La Croix – La saison 2017-2018 du Théâtre des Champs-Élysées

2017-03-23, La Croix, by Emmanuelle Giuliani “Vocalité italienne et chef-d’œuvre français Au total, « nous aurons 202 ouvertures au public entre septembre 2017 et juillet 2018, se réjouit Michel Franck, le directeur général du TCE. Avec, comme chaque année, de très nombreux opéras donnés en version de concert mais aussi plusieurs nouvelles mises en scène lyriques […]

kultur-port.de – Händels „Alcina“ – Operncoup mit Jaroussky, Petibon und Prohaska – Translation to English

2017-01-18, kulturport.de, by Hans-Juergen Fink Source/Read original: [x] Disclaimer: This is a fan translation; no infringement of copyright is intended. We believe the publication of this translation fulfills the requirements for “Fair Use,” for discussion and study. Händel’s “Alcina” – An Operatic Coup With Jaroussky, Petibon And Prohaska (five stars) by Hans-Juergen Fink – Wednesday, […]

Bachtrack – Zürich revives Loy’s magnificently entertaining Alcina

2017-01-06, Bachtrack, by Katherine Syer Jaroussky stole the spotlight with extraordinary lyricism in “Mi lusinga” and “Mio bel tesoro,” while Bartoli physically stumbled at the faltering music that launches “Ah! mio cor!” and seemed to take stock of her pathetic surroundings (and note the real audience) for the first time. Jaroussky’s “Verdi prati” concluded with one […]

Plays To See – Alcina

2017-01-04, Plays To See, by Irina Antesberger But this is no “one-(wo)man-show“: all roles are cast well, starting with Philippe Jaroussky as Ruggiero. After a short “warm-up“, his impact grows throughout the evening. His timbre is rightly well-known for being profound and yet angelic, with a sound that is never shrill, always melodious. The countertenor shows […]

Ópera Actual – Zúrich: ‘Alcina’, con Bartoli y Jaroussky, un duelo de titanes

2016-12-31, Ópera Actual, by Albert Garriga Por su parte, Jaroussky fue un Ruggiero excepcional; dotado de gran musicalidad y una extraordinaria técnica, ofreció grandes momentos de introspectiva intimidad en “Verdi prati” y de gran gallardía en “Sta nell’Ircana”, acompañado magníficamente por el cuerpo de baile. Demostró el porqué de su liderazgo en su cuerda. Source/Read […]