by country – Page 51 – Philippe Jaroussky Completely Unofficial

Gramophone – Gramophone recommends: outstanding recent countertenor recordings

March 27, 2017

by TheGrumpyAdmin album review artaserse vinci by country by language by source type by type by work english farinelli porpora magazine mention uk website

2017-03-37, Gramophone, by n. N.

“Porpora Farinelli Arias

Philippe Jaroussky counterten Venice Baroque Orchestra / Andrea Marcon

(Erato)

‘Jaroussky’s rapid passagework in quick heroic arias is precise (the spectacular ‘Nell’attendere il mio bene’ from Polifemo) and Cecilia Bartoli pops up for a couple of love duets but the outstanding moments are slow arias that could have been tailor-made for Jaroussky’s sweetly graceful melodic singing (‘Le limpid’onde’ from Ifigenia in Aulide, featuring the pastoral delicacy of horns, flutes and oboes). Andrea Marcon and the Venice Baroque Orchestra produce admirable sentimental finesse or gutsy brilliance as required.’ David Vickers (11/13)”

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Télé Matin – Portrait – Philippe Jaroussky a suivi sa propre voix…

March 27, 2017

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2017-03-27 Télé Matin

Philippe Jaroussky, l’une des voix les plus spectaculaires du classique, le contreténor français qui donne des récitals dans le monde entier, sort pour la première fois un album consacré à Jean-Sébastien Bach.

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The Guardian – Monteverdi, Sartorio, Rossi: La storia di Orfeo CD review – glorious Jaroussky

March 26, 2017

by TheGrumpyAdmin album review by country by language by source type by type by work english la storia di orfeo newspaper uk website

2017-26-03 The Guardian, by Nicholas Kenyon

“The presiding genius is countertenor Philippe Jaroussky who sings gloriously (though he is arguably not best suited to Monteverdi’s high tenor hero in his lavish Possente spirto). Jaroussky is well matched by Emöke Baráth’s crystal-clear soprano. Sartorio’s post-Cavalli idiom is sweetly melodic; I was much more taken by the strong, eloquent extracts from Luigi Rossi’s Orfeo of 1647.”

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Académie Musicale Philippe Jaroussky on Facebook – “Merci à l’équipe de “laissez-vous tenter” …”

March 24, 2017

by TheGrumpyAdmin academy by country by language by source type by type by work facebook france french news photo

Académie Musicale Philippe Jaroussky on Facebook

“Merci à l’équipe de “laissez-vous tenter” …”

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Académie Musicale Philippe Jaroussky on Facebook – “Ça tourne à la Seine Musicale! …”

March 24, 2017

by TheGrumpyAdmin academy by country by language by source type by type by work facebook france french news photo

2017-03-24, Académie Musicale Philippe Jaroussky on Facebook

Ça tourne à la Seine Musicale! […]”

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BR Klassik – “La storia di Orfeo”

March 24, 2017

by TheGrumpyAdmin album review by country by language by source type by type by work german germany la storia di orfeo radio website

2017-03-24, BR Klassik, by Annika Täuschel

“BETÖREND, SCHMEICHELND, SINNVERNEBELND

Dramaturgischer und musikalischer Höhepunkt des 64-Minuten-Pasticcios, das stilistisch erstaunlich nahtlos ineinander fließt, ist Monteverdis große Arie “Possente spirto”. Acht Minuten feinster Gesang, betörend, schmeichelnd, sinnvernebelnd, zum Zweck, den Fährmann Charon weichzuklopfen, um zu Eurydike in die Unterwelt zu gelangen. Philippe Jaroussky gestaltet stimmlich souverän, mit Geschmack für die Verzierungen, weder zu überbordend, noch zu wenig eindringlich – ein Meisterwerk vokaler Verzauberung. So dass dank dieser Aufnahme jeder versteht: Egal, wer der Komponist sein mag, dieser Orpheus singt wirklich zum Steinerweichen schön.”

Label: Erato

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La Croix – La saison 2017-2018 du Théâtre des Champs-Élysées

March 23, 2017

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2017-03-23, La Croix, by Emmanuelle Giuliani

“Vocalité italienne et chef-d’œuvre français

Au total, « nous aurons 202 ouvertures au public entre septembre 2017 et juillet 2018, se réjouit Michel Franck, le directeur général du TCE. Avec, comme chaque année, de très nombreux opéras donnés en version de concert mais aussi plusieurs nouvelles mises en scène lyriques dont Alcina de Haendel par Christof Loy avec Cecilia Bartoli, Julie Fuchs et Philippe Jaroussky, ou Orfeo et Euridice de Gluck confié à Robert Carsen, avec Patricia Petibon et à nouveau Philippe Jaroussky. »”

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Place de l’Opera – Veelzijdige Jaroussky blijft boeien

March 23, 2017

by TheGrumpyAdmin by country by language by source type by type by work concert review dutch la storia di orfeo magazine netherlands website

2017-03-23, Place de l’Opera, by Rudolf Hunnik

“Countertenor Philippe Jaroussky presenteerde maandagavond in het Concertgebouw zijn nieuwste concertprogramma La Storia di Orfeo. Hij werd bijgestaan door sopraan Amanda Forsythe en begeleid door ensemble I Barocchisti onder leiding van Diego Fasolis. Het werd een theatraal mooi programma, met Orfeo-muziek van Sartorio, Rossi, Monteverdi en Gluck.”

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Platea Magazine – Philippe Jaroussky rinde homenaje al mito de orfeo en el auditorio de Zaragoza

March 23, 2017

by TheGrumpyAdmin by country by language by source type by type by work concert review la storia di orfeo magazine spain spanish website

2017-03-26 Platea Magazine, by Javier del Olivo

“Perfecto en los tempi, siempre pendiente y en complicidad con los cantantes, sus versiones fueron magistrales. Impecables los músicos de I Barocchisti con sus instrumentos originales. Despuntó, entre sus muy competentes compañeros, el arpa de Masako Art, espectacular en “Possente spirto”.”

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