2016-12-03, Philippe Jaroussky on Facebook
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Areena – Only The Sound Remains on replay
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2016-12-03, Areena
Saariaho: Only the Sound Remains
1 h 47 minla 3.12.201622 pv 1237 katselua
Kaija Saariahon uusi ooppera perustuu kahteen japanilaiseen no-näytelmään. Teos kantaesitettiin Alankomaiden oopperassa maaliskuussa 2016. Ohjaus: Peter Sellars. Päärooleissa ovat Philippe Jaroussky ja Davone Tines.
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Kaija Saariaho ja Only the Sound Remains
OHJELMAN TIEDOT
Alkuperäisnimi Only The Sound Remains
Kuva 16:9 HD
TV-lähetyksen ääniraidat suomi stereo
Tekstitys suomi
Katsottavissa vain Suomessa
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planethugill.com – Gravely moving: Philippe Jaroussky in Bach and Telemann
2016-12-02, Planet Hugill, by Robert Hugill
Cantatas by Bach and Telemann; Philippe Jaroussky, Le Concert de la Loge, Julien Chauvin; Wigmore Hall
Reviewed by Robert Hugill on Dec 1 2016
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Opera Today – Philippe Jaroussky at the Wigmore Hall: Baroque cantatas by Telemann and J.S.Bach
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2016-12-02, Opera Today, by Claire Seymour
There was a strong sense of structural coherence though. A string diminuendo at the close of the accompanied recitative led expressively into Christ’s first aria, ‘Ich bin betrübt bis in den Tod’ (I am saddened unto death). Jaroussky here demonstrated the qualities that we would enjoy throughout the evening. His countertenor is flexible and relaxed; he can move through a wide tessitura without the slightest hint of strain, and leaps agilely between registers – the top is pure and clean, the chest register firm and full. He has an instinctive feeling for the musical phrasing, whether he is racing effortlessly through coloratura passagework or gliding through a lament. Jaroussky’s immaculate technique truly revealed the inventiveness of Telemann’s melodic gift. […]
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IMZ – Jaroussky, Bach & Telemann
2016-12-x, IMZ
A countertenor with a timeless voice meets baroque composers whose works have stood the test of time – in post-production
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MEZZO – Only The Sound Remains
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2016-12, MEZZO
Only the Sound remains de Kaija Saariaho à Amsterdam
Only the Sound remains, de Kaija Saariaho
Dudok Quartet, Eija Kankaanranta (kantele), Camilla Hoitenga (flûte), Niek KleinJan (percussion), Vocal Quartet of the Nederlands Kamerkoor, André de Ridder (direction)
Peter Sellars (mise en scène)
Julie Mehretu (création scénographique), Robby Duiveman (costumes), James F. Ingalls (lumières)
ALWAYS STRONG (Toujours fort)
Philippe Jaroussky (Le spectre du Jeune Homme)
Davone Tines (Moine)
FEATHER MANTLE (le Manteau de plumes)
Philippe Jaroussky (l’Ange)
Davone Tines (le Pêcheur)
Nora Kimball-Mentzos (Danseuse)
Enregistré au Dutch National Opera d’Amsterdam en 2016
Réalisé par Peter Stellars
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France Culture – Ping Pong – Philippe Jaroussky & Marie-Pauline Martin – Voix sacrées et chant du sourd
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2016-10-24, France Culture, Ping Pong
A la table ce soir le contre-ténor Philippe Jaroussky pour son disque « Bach– Telemann: Sacred Cantatas » chez Erato/Warner classics et Marie-Pauline Martin, la co-commissaire de l’exposition “Ludwig Van : le mythe beethoven” jusqu’au 29 janvier à la Philharmonie de Paris.
Marie-Pauline Martin & Philippe Jaroussky
Marie-Pauline Martin & Philippe Jaroussky• Crédits : Martin Quenehen – Radio France
D I S Q U E : « Bach– Telemann: Sacred Cantatas » -Philippe Jaroussky – Erato/Warner classics
Ce programme de cantates sacrées de Bach et de son contemporain Telemann marque une étape dans la discographie de Philippe Jaroussky : c’est le premier album consacré entièrement à des oeuvres en langue allemande. Il y est accompagné par le remarquable Freiburger Barockorchester.
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codalario.com – Crítica: Philippe Jaroussky y Freiburger Barockorchester para la Fundación Scherzo
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2016-11-14, Codalario, by Mario Guada
El contratenor francés presenta su reciente álbum de cantatas sacras de Bach y Telemann en una gran velada, en la que la orquesta alemana resplandeció de forma abrumadora.
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