2017-01-06, Bachtrack, by Katherine Syer
Jaroussky stole the spotlight with extraordinary lyricism in “Mi lusinga” and “Mio bel tesoro,” while Bartoli physically stumbled at the faltering music that launches “Ah! mio cor!” and seemed to take stock of her pathetic surroundings (and note the real audience) for the first time. Jaroussky’s “Verdi prati” concluded with one of the most breathtaking cadenzas I’ve heard. […]
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