2015-02-18, Brigitte
Obwohl er Sopran singt, sagt Countertenor Philippe Jaroussky entschieden: ‘Ich singe nicht wie eine Frau. Ich singe mit meiner männlichen Empfindsamkeit.’ Die wachsende Popularität von Sängern mit hohen Stimmlagen erklärt der 37-jährige Franzose in der neuen Ausgabe des Magazins BRIGITTE (Ausgabe 5/15, ab heute im Handel) damit, dass es eine neuen Begriff von Männlichkeit gebe. “Noch vor wenigen Generationen sollten Männer tapfer sein, nicht weinen, ihre Gefühle nicht ausdrücken. Doch jetzt haben wir starke Frauen und sensible Männer’.
Source/Read more: Brigitte
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Peter Pan Is a Soprano
According to his fans, listening to him is like a drug. Philippe Jaroussky is a countertenor. His voice neither sounds male nor female, but always effortless and like deep feelings. A meeting with one of the biggest stars of Classical music.
Meike Schnitzler
First of all, Philippe Jaroussky says “sorry”. Sorry that on the table, there is a large pot of tea, next to it a selection of cold remedy and throat lozenges.The last thing that Jaroussky wants to come across as is a hysterical opera diva who is busy pampering and nursing her precious soprano voice every second of the day. Soprano? Yes, the 37-year old Frenchman sings in the highest vocal range. Something that, right on the spot, one wouldn’t believe, because his speaking voice is a light baritone, a little raspy, because of the cold.
The day before, he had a concert in Hamburg; tomorrow it’s Berlin. Not a good time for a sore throat. “Classical singers have to fill an entire hall without the aid of a microphone,” says Jaroussky. “Luckily, I don’t have a cough. Then it would be over with my kind of voice.” His sort of voice – this is a no-frills vocal organ, able to spiral higher and higher like a bird, then stooping, its purity burning itself into the listener’s hearts. A voice that sounds neither male nor female, for which some fans will travel around the globe not to miss any of Jaroussky’s concerts. Even the night before, among the audience who rewarded his Vivaldi arias with standing ovations and enthusiastic trampling, the singer recognized some of his greatest female admirers.