Financial Times – Only the Sound Remains, De Nationale Opera, Amsterdam — ‘Sensual and evocative’
2016-03-23, Financial Times, by Shirley Apthorp Baritone Davone Tines and countertenor Philippe Jaroussky are perfect as the earth/spirit counterparts of the two pieces (ghost and priest for the first opera, fisherman and angel for the second), Tines w ...
Place de l’Opera – Only the Sound Remains: hemels én aards
2016-03-23, Place de l'Operam by Kenza Koutchoukali De voorstelling was in mijn ogen wel degelijk spannend, misschien zelfs een beetje eng. Magisch ook en bovendien waanzinnig goed uitgevoerd. Wat een spel en wat een stemmen! De stem van Philippe Jarou ...
The Guardian – Only the Sound Remains review – almost perversely unengaging
2016-03-23, The Guardian, by Andrew Clements the presence of a dancer (Nora Kimball-Mentzos) does give one more layer to Peter Sellars’ otherwise inert staging, but emotionally and dramatically both halves of the opera remain almost perversely unengag ...
Limelight Magazine – CD/DVD Reviews – Partenope
2016-03-23, Limelight Magazine, by Clive Paget French countertenor Philippe Jaroussky makes a fine Arsace, judging the character arc to perfection and singing with great depth of feeling in arias like Ch’ Io parta? Si crudele and Ma quai note di mesti ...