2016-03-23, The Guardian, by Andrew Clements
[…] the presence of a dancer (Nora Kimball-Mentzos) does give one more layer to Peter Sellars’ otherwise inert staging, but emotionally and dramatically both halves of the opera remain almost perversely unengaging, despite the excellence of the performances from countertenor Philippe Jaroussky and bass Davone Tines under conductor André de Ridder.Source/Read more: [x]
