BBC Radio 3 – in Tune, Orquesta Buena Vista Social Club, BBC Music Magazine Award Winners
2016-04-06, BBC Radio 3, In Tune, by Sean Rafferty Sean Rafferty with a lively mix of music, chat and arts news, including live music from the Orquesta Buena Vista Social Club, and interviews with some of the winners of the 2016 BBC Music Magazine awar ...
Philippe Jaroussky on Facebook – “‘Green’ – French songs from the poetry of Paul Verlaine …”
2016-04-06, Philippe Jaroussky on Facebook 'Green' - French songs from the poetry of Paul Verlaine - won Best Vocal Album in theBBC Music Magazine Awards last night! Source/Read more/Watch Video:
Die Presse – Flórez, Warwick und Jaroussky: Red-Ribbon-Konzert auch ohne Ball
2016-04-06. Die Presse, by Teresa Schaur-Wünsch Heuer findet das Red-Ribbon-Konzert nun also am 10. Juni statt (der Vorverkauf startet heute, Donnerstag). Mit dabei sind einige prominente Künstler, die schon in der Vergangenheit den Galaabend unterstüt ...
cadences.fr – Alessandro Scarlatti Oratorio per la Passione
2016-04, cadences.fr, by Yutha Tep On ne peut que remercier Patrick Cohën-Akenine et ses Folies françoises de nous offrir cette œuvre singulière. La distribution prestigieuse réunissant Philippe Jaroussky (la Colpa), Valer Sabadus (la Grazia) et Sonia ...
Cultural Resuena – Only the sound remains: el estreno de la nueva ópera de Kaija Saariaho
2016-03-29, Cultural Resuena, by Albert Fernández Chafer Los protagonistas vocales (Davone Tines, barítono, en el papel de Gyokei y del pescador, y Philippe Jaroussky, contratenor, en el de Tsunemasa y voz de la Tennin, interpretada por Nora Kimball-Me ...
Financial Times – Only the Sound Remains, De Nationale Opera, Amsterdam — ‘Sensual and evocative’
2016-03-23, Financial Times, by Shirley Apthorp Baritone Davone Tines and countertenor Philippe Jaroussky are perfect as the earth/spirit counterparts of the two pieces (ghost and priest for the first opera, fisherman and angel for the second), Tines w ...
Place de l’Opera – Only the Sound Remains: hemels én aards
2016-03-23, Place de l'Operam by Kenza Koutchoukali De voorstelling was in mijn ogen wel degelijk spannend, misschien zelfs een beetje eng. Magisch ook en bovendien waanzinnig goed uitgevoerd. Wat een spel en wat een stemmen! De stem van Philippe Jarou ...
The Guardian – Only the Sound Remains review – almost perversely unengaging
2016-03-23, The Guardian, by Andrew Clements the presence of a dancer (Nora Kimball-Mentzos) does give one more layer to Peter Sellars’ otherwise inert staging, but emotionally and dramatically both halves of the opera remain almost perversely unengag ...
Limelight Magazine – CD/DVD Reviews – Partenope
2016-03-23, Limelight Magazine, by Clive Paget French countertenor Philippe Jaroussky makes a fine Arsace, judging the character arc to perfection and singing with great depth of feeling in arias like Ch’ Io parta? Si crudele and Ma quai note di mesti ...
OperaJournal – Saariaho – Only the Sound Remains (DNO, 2016 – Amsterdam)
2016-03-22, OperaJournal.blogspot.de, by Keris Nine Here alone the desired sound is fully realised with Davone Tines integrating with the earthier sounds of the physical world and Philippe Jaroussky's countertenor soaring to reach that otherworldly lev ...