2017-11-28, Grammies
Announcements, Jan 2018 Winners
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Press Archive
2017-11-27, The Evening Standard, by Barry Millington
Jaroussky’s sweet, sensual tone is a far cry from the chaste Anglican sound of the English tradition. His compass is wide, and though the top is not particularly powerful, there is little sense of strain. Above all, his singing is extraordinarily expressive, with impeccably cultivated vocal production. […]
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2017-11-27, Bachtrack, by Kevin W Ng
However, there are few things more sublime that Jaroussky in lyrical Handel. In “Se potessero i sospir’ miei” from Imeneo (cleverly reworked by Handel from one of David’s arias from Saul), Jaroussky brought a charming lilt to the vocal line, ornamenting the da capo with graceful runs and sublime high pianissimi. Radamisto’s “Ombra cara” revealed his penchant for seemingly endless legato lines, effectively shading his tone in response to the chromaticism of the orchestration. Best of all, however, was Tolomeo’s “Stille amare”, preceded by an accompanied recitative that showed Jaroussky at his most dramatically involved. The aria itself was a marvel of restrained tragedy, sung with daring vulnerability and exquisite ornamentation.
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2017-11-10, stereophile, by Jason Victor Serinus
“Exquisite” is not a word to be invoked lightly. In the history of vocal music on record, there has been only one singer to earn that appellation—soprano Maggie Teyte, Debussy’s second Melisande, whom the great Polish tenor Jean de Reszke dubbed “L’Exquise.” To that exalted category must now be added countertenor Philippe Jaroussky, whose latest recording for Warner, The Handel Album, contains some of the most exquisite singing I have ever been privileged to hear. […]
The Handel Album has certainly earned its rightful place in my next “Records to Die For” listing. […]
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2017-11-07, ludwigvan.com, by Frédéric Cardin
CRITIQUE | Philippe Jaroussky : un Händel d’or et surtout de soie
Par Frédéric Cardin le 7 novembre, 2017
C’est dans ce magnifique spleen avant l’heure, version germano-anglaise baroque, que nous fait plonger Philippe Jaroussky. Cette voix onctueuse, vibrante de lumière, mais habilement tempérée par le velouté d’une enveloppe délicatement perlée peut être resplendissante de lumineuses dorures dans les triples saltos des passages ultra-turbulents. Ici, cependant, l’or fait place à la soie, tant par la finesse de l’interprétation que par la grande délicatesse de ces partitions admirables. […]
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2017-11, pizzicato/ICMA
Nominated twice, for “Händel Arias” as well as for “La Storia di Orfeo”
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2017-11 ICMA
BAROQUE VOCAL
From the initial 19 nominations the following three releases have been admitted to the finals
Farinelli – A Portrait
Ann Hallenberg, Les Talens Lyriques, Christophe Rousset
Aparté
AP117
The Händel Album
Händel: Arias
Philippe Jaroussky, Artaserse
Erato
190295774455
Bach: St Matthew Passion
J. Gilchrist, S. Loges, H. Morrison, Z. Brookshaw, C.Ashley, R. Mobley, E. Minney, H. Hymas, A. Riches, A. Ashworth, J. Sells
Monteverdi Choir, Trinity Boys Choir, English Baroque Soloists
John Eliot Gardiner
Soli Deo Gloria
SDG 725
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2017-10-09, Warner Classics
Philippe Jaroussky records Handel’s ‘Ombra cara’ (Radamisto)
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